Top 10 Best Camera Cranes Reviews in 2022

The videographer or camera fanatic will hustle to buy any equipment that makes production smoother, more portable, and affordable. Our top 10 Best Camera Cranes are all top Amazon.com sellers and receive rave reviews from customers. Based on customer input and product descriptions, we have compiled our top 10 list for your shopping pleasure.

10. Pro Series Professional Video Stabilizing Handle

The Pro Series Professional offers a video stabilizing handle that provides stability for shooting action videos while enabling the attachment of a flash or video light. Lengthy filming will be a breeze with the foam covered handle that comfortably rests in your hand. Made of a sturdy plastic for lightweight performance.
PROS
• Perfect for staying free to move with the shot
• Can be attached to a tripod for ground stability
• Can double with a video camera below and a GoPro on top
• Better than a traditional hand strap
CONS
• Not the traditional metal construction
• Does not include traditional hand strap
• Relies on hand stability rather than ground
Despite the competition from its metal counterparts, this plastic crane gets great reviews for its versatility and good construction. It is the best buy for the price, without sacrificing quality.

9. ProAm USA Orion Jr DVC50 4 ft Compact Camera Crane / Jib

The ProAm USA Orion Jr DVC50 is a four foot long, yet compact, camera crane that can easily be attached to a tripod with ¼” x 20 threads. With smooth, steel bearings and powder coating, it moves swiftly and with ease during even the most difficult shots. Better yet, keep the camera completely level with a fully automatic camera tilting function. Priced for affordability, this choice will satisfy the professional and amateur alike.
PROS
• Works smoothly and effortlessly to capture action videos
• Lightweight and sturdy
• Good for indoor or small spaces
• Mounting bracket is perfect for wider DSLRs, or even your small handheld P&S
CONS
• Does not include tripod, stand, head or weights
• Takes some practice to get smooth movements
• Does not have tilt control like the 8’ model
• Must use a heavyweight tripod
This best-selling camera crane by ProAm USA certainly takes the prize for versatility. Whether on a tripod or gripped by hand, it really captures the best video with smooth, effortless motions. This crane is a great starting point that adds professionalism to your production.

8. ProAm USA Orion DVC200 8 ft Camera Jib Crane

The ProAm USA Orion DVC200 is an eight foot camera jib crane that extends five feet from a sturdy tripod and is made of aircraft aluminium for lightweight and durable construction. Also containing fluid steel bearings, it quickly mounts to a tripod with ¼” x 20 threads.
PROS
• Able to obtain smooth motion on 3 axis
• Optional 4’ extender available
• Flexible tilting features allow independent or auto tilt
• Versatile and portable enough to do hand held shots
• Simple to assemble without the use of additional tools
CONS
• Does not include stand or weights
• Can flex when mounted on non-manufacturer stand
• Does not attach to a TV monitor for composing shots
With the DVC200, you get what you pay for – meaning more angles, more flexibility and greater distances than its #9 counterpart. Don’t let the simple construction fool you, because this gear is likely to send your production into professional mode.

7. 8 ft. Camera Crane Jib with Stand by Advanced Digital

This eight foot camera crane jib by Advanced Digital comes handily with its own stand, making for a seamless setup. Being easy to assemble without extra tools, it’s aluminium frame is coated in a black, scratch-resistant powder coat finish for durability.
PROS
• Easily breaks into (2) 4’ sections
• Can manually or automatically tilt camera
• Better customer service than expected
CONS
• Needs a tripod with a very sturdy, fluid head
• Limited on compatibility with camera models
• Several customer reviews state faulty equipment common
• Does not come with a case
• Better at fixed shots; lacks smooth stabilization
Without the big brand name to back it up, this crane deserves the honorable mention as #7 on our top 10 list because reviews confirm that it is worth the price. If you seek professional production equipment without paying for the logo, then this crane is right for you.

6. ProAm USA 360

The ProAm USA 360 pans the full degree span and comes with bearing mounts. It also attaches to 3/8” tripod legs and has a unique black anodized finish. Adding another axis of movement to the jib, the ProAm USA 360 compliments most other products.
PROS
• Easy to lube for smooth panning
• Can mount on almost any platform (stand or tripod)
• Quiet, sensitive, non-motorized planning mechanism
• Easy to set up
CONS
• Open top may leak oil or take in dirt/sand
• Top of market price range for similar items
• Needs a cover for outdoor shooting
To some professionals, the price of the ProAm 360 seems a bit high. But, for the additional production capabilities it is a worthy purchase and addition to any studio.

5. Turn-key ProAm USA 8 ft to 12 ft DVC200 Camera Crane Production Package

The beauty of this product is that all you need to set up a professional video shoot comes in one package. The ProAm USA expands from 8ft to 12ft and includes a stand, bag, LCD kit, adapter plate and charger. It is a great budget-friendly starting point for any amateur looking to take it professional.
PROS
• Looks professional in front of clients
• No wiggle, flex or slop
• Extra-large carrying case for additional gear
• No need for a ladder to get high-angle shots
• Has a 10” screen for composing shots
• Only requires a one man crew
CONS
• Monitor is non-HDMI
• Does not include weights
• Need an Allen key to fasten the joiners
• Makes noise if in cold weather
With all you need in one package, there’s not better product to put your passion into action. And considering the pros outweigh the cons, this reliable brand product will certainly fit the bill.

4. ProAm USA Orion DVC210 8 ft DSLR Camera Jib Crane

Much like its counterparts, the ProAm USA Orion DVC210 is eight feet in length but differs in that it is made specifically for DSLRs – making this a great, affordable way to spice up your photography shoots.

3. Indy Jib 4′ Camera Crane

The Indy Jib 4’ Camera Crane works great with both DSLRs and Video Cameras, easily supporting up to 10 pounds. Powder coated in scratch-resistant black, this crane is made in the USA. Proudly touting its heritage, the Indy Jib sports a full lifetime warranty too.
PROS
• Can capture floating, cinematic movements
• Offers smooth panning and fluid movement
• Easy to carry for on the go professionals
CONS
• Slower setup than other cranes
• Slightly heavier than similar models
• Must purchase additional mount to achieve tilting
There’s no doubt that ProAm captures our market, but Indy just outshines in price and durable construction and, therefore, makes it near the top of our list.

2. Kessler KC-Lite 8.0 Camera Crane

The Kessler KC-Lite almost tops the chart because of its market potential for the low budget filmmaker. It is the best economy crane available to beginning production artists. One of the top 20 sellers on Amazon.com, it is certain to fire the flame in any amateur videographer.
PROS
• 100 percent tool-less setup
• 360 degree rotation
• Constructed of high grade 6061 aluminium
• Side mounting eliminates need for tilt mechanism
CONS
• Can only hold up to 10 pound cameras
• Beam is thinner than high-end cranes
• Side mounting may cause it to leanUnlike most entry-level cranes, this packs a punch with full rotation capabilities – something often purchased separately from high-end cranes that professionals use. You’d be surprised at the quality, durability and affordability when compared to other models.

1. ProAm USA DVC200 Camera Jib Crane with 4 ft Extension (12 ft Total Length)

The ProAm USA DVC200 Camera Jib Crane is used by filmmakers all over the world. While it is not the priciest of our selections, it definitely stands out as the best buy for serious industry professionals. It is so versatile and all-inclusive of the most sought after features that we couldn’t help but make it #1.
PROS
• Independent and Auto-Tilt feature integrated
• Three axis movement possible
• Optional 4’ extension available
• Quickly mounts to standard tripods
• Designed and priced for low to no-budget cinema
CONS
• Tripod and weights not included
• Takes ample time to set up at first
When choosing a camera crane, it is important to know exactly what your needs are. Fortunately, at the reasonable price, the DVC200 can meet just about any budget and production requirement you can think of. It is the worthiest competitor in an otherwise flooded market.

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